Distinctive・

Strong・

Transcendent・

Openhearted

…the best of next generation operatic talent

“The tone was established from the opera's very first sung word... delivered by Goforth with startling force, as if to command us to attend to the proceedings…a brilliantly declaimed performance.”

— Opera News

Music critic Michael Andor Brodeur interviewed Katherine for an in-depth feature on the True Voice Award and trans inclusion/transphobia in opera. Article full text here.

Katherine answered questions about the True Voice Award, her career and her experience in classical music.

Katherine spoke with Jared Bowen of WGBH’s The Culture Show about her (then upcoming) recital with Boston Wagner Society, the True Voice Award and how she’s navigating classical music right now.

Katherine spoke with San Francisco Classical Voice along with Nika Printz, Teiya Kasahara, Sam Taskinen, Lucas Bouk, and Jude O’Dell

Katherine spoke with Susan Parrish, a staff writer at Clark College, about her teaching, career journey, and upcoming True Voice Award residency at the Kennedy Center

OperaWire’s coverage of a new directory of trans, non-binary and gender diverse opera and classical voice professionals created by Katherine with Danielle Wright, Dorian Block, and Bryce McClendon

Katherine is the featured guest on the premiere episode of Bryce McClendon’s new podcast for and by gender-expansive opera and music-theatre makers

FATF Press

Katherine’s performance in “The Faggots and Their Friends Between Revolutions” received praise from outlets including The New York Times, Opera News (subscribers only), NRC, Olyrix, and Altamusica

“Directed by Katherine Goforth, the opera superbly conveyed a snippet of the woman who was absolutely crucial to the success of the Lewis and Clark Expedition.”

Katherine answers questions about her life and work after receiving the inaugural True Voice Award from Washington National Opera



Career Advancement Award Acceptance Speech

Katherine’s speech upon receipt of the Career Advancement Award during the Keynote Presentation of the Dallas Symphony Orchestra’s Women in Classical Music Symposium


Katherine was interviewed for Aiden K. Feltkamp’s article for the Fall 2022 Opera America magazine


Katherine’s opinion piece for Opera Canada magazine, published December 14, 2020